Typography, type and font design inspirations

CSS Custom Properties, Cute Data, and Typography Magic

This week's CodePen community highlights include tutorials on CSS custom properties from Ryan Mulligan and Will Boyd, a "cute" d3.js take on data clustering from Ksenia Kondrashova, and a wave of beautiful typography from Ana Tudor. Plus, Adam Argyle shares a great use case for the interpolate-size feature in CSS, and Wakana Y.K. builds a working clock from Three.js sea glass. CSS @property and the New Style Ryan Mulligan breaks down how to make that gleaming button animation you see everywhere with CSS @property, which unlocks "the ability to explicitly define a syntax, initial value, and inheritance for CSS custom properties". Build better products – faster! Taking a product over the finish line sometimes feels like pulling teeth—ouch! monday dev empowers teams to move from ideation to delivery faster—and thankfully, without the usual hiccups. It’s a single platform to plan, execute, and manage every initiative. Try it out yourself. Slanted Grid Gallery Chris Bolson shares a sharp gallery design concept enhanced with clip-path. Hover over any image to see how it folds out to full size. No text duplication stroke shadow Ana Tudor turns a single line of text into a work of type art in this virtuoso demo of SVG filters and CSS mathematics. AI Apps Made Easy with DataStax Langflow Building GenAI apps can be hard. What if there's an easy-to-use visual IDE you can easily drag-and-drop app components, immediately test and deploy? Enter DataStax Langflow. Experience the simplicity of low-code RAG development and test your app within minutes. Let's build! Sea Glass Clock Wakana Y.K. perfectly recreates the hazy transparency of sand-polished sea glass for this gorgeous working Three.js clock. Gradient background composition exercise Michelle Barker explores "how much can you vary a composition just by changing a few custom properties?" with this experiment in CSS variables and gradients. Making Orbit Animations with CSS Custom Properties Will Boyd shows us how to animate CSS custom properties, "a powerful way to approach CSS animations that would otherwise be tedious or impractical to implement." CSS interpolate-size to the rescue In this quick tutorial, Adam Argyle demonstrates how the new interpolate-size feature in CSS combines with :has() to hide a password field until a valid username is provided. Cute Data Clustering Ksenia Kondrashova creates a genuinely cute data clustering animation with d3.js (d3-force). Hover over the sample to watch groups hop out and sort, and open up the controls panel up top to check out the effect with different group counts. sentiment rings true Tom Hinton divides the screen into 4 squares that fill with undulating waves of color in this pyschedelic Three.js scene. The Recursive Tetrahedron Matthias Hurrle crafts a beautiful beaded tetrahedron on the . "Try it yourself. Just change the function call inside hue to one of the three: length, box, and shape, and see which one you like best. Have fun with it!"

Typography In Web Design

Master typography driven web layouts and become a more confident designer by learning editorial style web design to master grids, typography, artdirection, hierarchy, spacing and more.

Dinamo Typefaces

Progressive type foundry creating variable fonts for digital design. The experimental website pushes typographic boundaries with interactive font demonstrations and bold visual presentations. ☆0

Adidas Three Stripes Custom Typeface

Adidas Three Stripes Custom Typeface A speculative typography project exploring the idea of what if Adidas Originals transformed its iconic Three Stripes identity into a functional custom numberset for football jersey applications. Built from a consistent triple-line construction system, the typeface combines geometric structure, layered strokes, and dynamic rhythm to create a bold visual language inspired by movement, speed, and sports culture. Designed primarily for nameset and numberset applications, the project showcases how a recognizable brand element can evolve into a modern typographic system adaptable across multiple national team jersey concepts while maintaining strong visual consistency and high on-field legibility.

Lettering Series C

A collection of some of my lettering work created for clients and personal projects.

Sculptural ORMA Chair Blends Typography and Furniture Design

Ever imagined sitting on a typeface? Or better yet, a single letter? It may sound surreal, but the ORMA Chair turns this whimsical thought into a reality. Inspired by the lowercase letter “a” from the AH Forma typeface, the ORMA Chair merges the worlds of typography and furniture design into a modern and functional masterpiece. Designed for Design Week Mexico 2024, this piece transforms a familiar character into a sculptural and practical form of seating. Designer:  Andrés Higueros and (ro)drigo méndez sosa The ORMA Chair showcases how the shapes and proportions of a type family can serve as a base for much more than just text. The AH Forma typeface, known for its versatile use across various contexts, becomes the backbone of this innovative design, transforming the flat, two-dimensional letter into a three-dimensional piece of furniture. This bold experimentation with type reminds us how far design can stretch when creative boundaries are pushed. The chair’s design uses the rounded portion of the letter “a” as its seat. Depending on how it’s positioned, there are two different ways to experience the chair. In one form, the rounded seat offers comfort, while the terminal of the letter serves as a handrest. Alternatively, when reversed, the terminal transforms into a backrest, providing ergonomic support. It’s fascinating to imagine the comfort it offers, although one might wonder how long one could remain seated given its unconventional structure, making it more of an art piece than a prolonged seating solution. The ORMA Chair comes in two distinct models: the “Light” and “Regular” versions, each reflecting the characteristics of their respective typeface styles. The “Light” version, known as ORMA Chair Light Condensed, interprets the lightness and elegance of the AH Forma Light style into a sleek dining chair. This version uses the terminal as a backrest and the rounded parts as legs, resembling the minimalist structure of early bicycles. The “Regular” version, aptly named ORMA Chair Regular, translates the balanced and sturdier style of the Regular typeface into a comfortable armchair. The design variation between these two chairs reflects how typography can be adapted to suit different environments while maintaining a shared aesthetic foundation. The Condensed version of the ORMA Chair is ideal for more refined and contemporary spaces, perfect for dining rooms or stylish corners in elegant homes. On the other hand, the Regular version’s balanced design makes it more suitable for informal settings such as office lobbies or relaxed living spaces. Despite their differences, both chairs uphold a common theme: transforming a typographic symbol into a usable, functional object. The post Sculptural ORMA Chair Blends Typography and Furniture Design first appeared on Yanko Design.

“Raw and unapologetically seductive” – meet ALT.tf’s femme fatale display typeface, ALT Erogenous

Designed by Eunice Su, this letterset’s sharp edges and soft curves steered its campaign towards something more sensual and erotic.

Typography & Layout Course

Loads of great visuals throughout this One Pager (built with Webflow) promoting the v2 relaunch of the Typography & Layout Course by Oliver Gareis. Full Review

Picking Up Pixels: Rüdiger Schlömer Designs Typefaces for Knitting

Rather than build the letter “A” or “R” through digital layers, Rüdiger Schlömer constructs the alphabet, numbers, and basic symbols stitch by stitch. The Zurich-based designer devised Typeknitting, a project that interlocks two distinctive creative forms into a methodically constructed, tactile hybrid. “Typographic knitting to me is a process of translation between two very different fields, hand knitting structures and type design. This is what makes it so interesting to me,” he shares. More Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Picking Up Pixels: Rüdiger Schlömer Designs Typefaces for Knitting appeared first on Colossal.

Celebrate the Art of Typography With the Autotype x House Industries Collection

To celebrate 30 years, House Industries has introduced a new limited-edition art + apparel collection in partnership with Autotype that highlights a favorite typefaces.

Swiss Typefaces

Independent Swiss type foundry creating contemporary typefaces. The typographic website naturally showcases their fonts through elegant specimen displays and refined design demonstrating Swiss precision. ☆0

Joyse™ Typeface

Introducing Joyse?, a sans-serif display font that blends retro style with a distinctly modern touch. Perfect for bold logos, eye-catching posters, magazine covers, and any visual identity that aims to be unique and impactful. It features over 565 glyphs, including more than 30 alternatives, and supports 90 languages.